PUBLICATIONS

2024 — SPLENDORE A. Shifts in the pictorial layer in Boldini: execution technique and conservation methodologies. Paper presented at the conference “The Nineteenth Century in the Arts: Research and Dialogues on Conservation,” organized by IGIIC – Italian Group of the International Institute for Conservation. Accademia di Brera, Milan, January 26, 2024.

2023 — TARANTOLA G., MEDRI E., SPLENDORE A., LO RUSSO F., MATTEUCCI C., MINELLI M. Liquid Foam–Ethyl Vinyl Acetate Adhesive Systems for Lining Process of Paintings: Prospects of a User-Friendly, Harmless Alternative to Conventional Products. Polymers, 15, 1741.

2023 — SPLENDORE A. Material Eclecticism and Conservation in Antonio Mancini. Paper presented at the study day “Dialogando con la materia dell’arte. In memoriam Fabio Frezzato,” Aldo Bassetti Room, Pinacoteca di Brera, Milan, November 21, 2023.

2022 — FREZZATO F., POLDI G., with contributions by LO RUSSO F., SPLENDORE A. Giovanni Boldini. The Creative Process. Scientific Investigations and Conservation. Antiga Edizioni, Bottegantica, Treviso.

2017 — SPLENDORE A., LO RUSSO F., CANNA E. “Restoration intervention on a bicycle inner tube” (Maps and signs) Fata Morgana, by Carol Rama in Kermes, La Rivista del Restauro, n. 100, year XXVII, October-December, pp. 149–155.

2016 — POLDI G., LO RUSSO F., SPLENDORE A., FREZZATO F., SAVOIA E. “Giovanni Boldini: technique and conservation. A systematic scientific study” in A changing Art: Nineteenth-century Painting Practice and Conservation, atti del Convegno a cura di Costaras N., Lowry K., Glanville H., Balch P., Sutcliffe V., Saltmarsh P. (Londra Wallace Collection, 7 ottobre 2016).

2018 — SPLENDORE A. The restoration of Guercino’s painting in Cento. Paper presented at the conference “Autunno Guerciniano. How Guercino Worked: Technique, Materials, and Restoration,” Salone di Rappresentanza della Cassa di Risparmio di Cento, Cento (FE), November 13, 2018.

2010 — A.A.V.V., “Il Ciclododecano nei manufatti artistici”, Quaderno n. 8/CESMAR7 edited by Riggiardi D., il Prato.